Osizwe Eye di yiye’s Testimonial on NO! A Documentary on Rape, Sexual Assault, and Healing
April 29, 2008
“NO! The Rape Documentary insists that black communities openly acknowledge the dehumanization that rape belies and the integrity and humanity of rape survivors.With this film and the accompanying resource guide, Aishah Simmons and her colleagues have created a teaching tool with an awesome potential for healing and social change. NO! The Rape Documentary has been an invaluable resource that I have shared with my students, colleagues, friends, and loved ones. I will keep showing this film until I run out of people with which to share it.”
Osizwe Eyi di yiye, M.S. Ed
Educator/ Consultant
African American & Women’s Studies, Temple University
Iris’ Testimonial on NO! A Documentary on Rape, Sexual Assault and Healing
April 29, 2008
“On March 9, 2008 I watched your documentary with a group of my friends, all women of color. This was the second time viewing for me and I was impacted just as much if not more than the first. I sat with my girlfriends after watching it and discussed our own feelings, experiences and sadness. Following our viewing we ate a meal together, laughed and expressed love for each other. Our pain and sadness was thankfully nourished by communal care and good food.
I want to say thank you so much for creating NO!. My life has changed after seeing it along with my commitment to ending violence. I don’t feel like I have the proper tools to really thank you but, I just need you to know that your film was amazing. Having the heart and passion for what you created is inspirational. I will take your message and spread it as far and as much as I can. Thank you. Your Sister, Iris“
Wear Red on April 30, 2008 to End Sexual Assault Against Women of Color
April 28, 2008
Women of Color Keeping A Social Movement Alive
On Wednesday, April 30, 2008, women of color across the United States will wear red to:
- commemorate Sexual Assault Awareness Month;
- to represent the various forms of violence that women of color experience on a daily basis; and
- to show how all forms of violence against women of color are interconnected.
Following is another moving video created and produced by my Sistren, at Document the Silence, who organized the first Be Bold. Be Brave. Wear Red. Campaign in October 2007, during Domestic Violence Awareness Month. Their life sustaining and affirming work is kindred Sister to NO! The Rape Documentary.
After April 30, 2008, the organizers of this national campaign want to flood the web with images of red. Please email your pictures and links to your videos to beboldbered@gmail.com.
Nermin’s Testimonial on NO! A Documentary on Violence Against Women
April 22, 2008
“The NO! documentary is a powerful account which shows once again how patriarchy exerts its domination across racial, class, national, religious etc. boundaries. I think this movie has a message for everybody, no matter what background she/he comes from. The movie taught me how to say No!. Thank you, Aishah!”
Nermin, Albania
Shout Out Women of Color Respond To Violence
April 15, 2008
Women of Color Shout Out Against Violence Against Women of Color in Powerful Anthology
Shout Out: Women of Color Respond To Violence
Maria Ochoa & Barbara K. Ige
Seal Press ©2008
“How do so many women survive the violence of their daily lives? Where do they find hope? How can this violence be allowed to continue? Shout Out address these troubling questions and more. This powerful collection provides a range of responses to the injustices that women sustain in their dialy lives through critical examiniations, creative non fiction, visual art, and poetry. Shout Out provides living testimony for the need to put an end to Oppression and violence.”
In January 2008, Seal Press released the powerful anthology Shout Out: Women of Color Respond To Violence. Shout Out doesn’t allow readers to be passive spectators. No, this compelling anthology will take you on a transformational journey that challenges you to be involved in the multi racial, anti colonialist, transnational movements to end all forms of violence perpetuated against women.
Aishah Shahidah Simmons’ choreopoem, “A State of Rage” which was conceived in 1994, in a Toni Cade Bambara scriptwriting workshop at Scribe Video Center, is featured in Shout Out. This choreopoem served as the literal roadmap on my eleven year journey to make my documentary NO!.
As with Color of Violence: The INCITE! Anthology, Shout Out: Women of Color Respond to Violence, is another ground breaking, riveting, anthology, which creates the critically needed space for women of color activists, cultural workers, scholars, and practitioners, to document the violence we face everyday, while celebrating our resistance, expressed in a myriad of ways, against all of the odds.
Beverly McPhail’s Testimonial on NO! The Rape Documentary
April 15, 2008
“Aishah Simmons spoke to our campus (University of Houston) and the larger Houston community and screened her film, NO!. The film was powerfully received and the subsequent question and answer period was quite moving as men spontaneously stood up to say they would look at women with new respect and appreciation and women who had been one-time victims and now survivors spoke of the validation that they felt seeing the film. The audience was not only moved emotionally, but felt moved to action, to change communities and get the word out that sexual violence against women must stop. No one left the auditorium unchanged. Ms. Simmons’ film examines the intersections of race, gender, class, and sexual identity on the topic of sexual violence, unlike any other film I have seen on the subject. The film is enhanced by Ms. Simmons’ introduction and fielding of quesitons. She is truly a remarkable and talented filmmaker and activist.”
Beverly McPhail, Ph.D., LMSW, Director, Women’s Resource Center
University of Houston
Celebrating Toni Cade Bambara
April 12, 2008
New Anthology Celebrates Toni Cade Bambara
Savoring the Salt: The Legacy of Toni Cade Bambara
Linda Janet Holmes & Cheryl A. Wall, editors
Temple University Press ©2008
“I was fortunate…blessed to have Toni’s presence in my life at such a critical time in my life. In February 1990, at the very ripe age of 20, I shared my feelings of alienation, and inadequacy at Swarthmore College combined with my frustration with the racist and sexist Eurocentric film department at Temple University– things like watching and critiquing camera techniques, without any social commentary, of films like “Birth of A Nation” and “Imitation of Life with Toni.” After hearing my frustration and disappointment with my undergraduate studies at Temple University, Toni told me to come to a place called Scribe Video Center to take her scriptwriting workshop. I told Toni I didn’t have any additional money to take a scriptwriting workshop. Her response was “I didn’t ask you if you had any money, I told you to come to Scribe Video Center and take my scriptwriting workshop.” Toni’s response forever changed my life…” -Aishah Shahidah Simmons-
From 1990, when I was 21 years old, through 1995, I had the absolute privilege to know and learn from Toni Cade Bambara who was an award-winning author, screenwriter, organizer, activist, teacher. Her “hands on” influence on some of the most prominent writers and filmmakers spans two generations. Personally, were it not for Toni’s profound presence in my life at a critical period in my life, I don’t know if I would be a documentary filmmaker today. I wrote about my herstory with Toni and her pivotal role in my becoming a documentary filmmaker, in my featured essay “Asserting My In(ter)dependence: The Evolution of NO!”
As the editors the timeless and celebratory Savoring the Salt: The Legacy of Toni Cade Bambara, Linda Janet Holmes and Cheryl Wall have done a magnificent job of gathering a chorus of well known and lesser known diverse voices who sing a praise song for Toni Cade Bambara, one of the preeminent cultural workers.
BUY YOUR COPY OF “SAVORING THE SALT” TODAY!!!!
“Brilliance, courage and joy are what I knew of Toni Cade Bambara. Savoring the Salt mirrors her exhilarating intellect and the reach of her incomparable talents. Clearly, in these pages, the impact of her life and work—on family, friends, artists, students, colleagues—is as profound as it is forever”
—Toni Morrison
The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciative recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon, Audre Lorde, and Sonia Sanchez.
“This is a moving tribute to a seminal figure of American literature whose work continues to resonate.”
—Booklist
“Toni Cade Bambara is one of the great literary figures of the late 20th century. She deserves more serious attention and sustained scrutiny. This magnificent volume is a first step toward this necessary effort!”— Cornel West
“Toni Cade Bambara was a genius of language, an artist of connectedness, a lucid, inspired artisan of human freedom. This collection in many voices, hers threaded throughout, is a gift to her memory, a continuing rediscovery of her visionary work, and an important historical document.”
— Adrienne Rich
“Nikki Giovanni, Amiri Baraka, Pearl Cleage and other African American luminaries remember the late writer and activist [Toni Cade Bambara]. What emerges is a portrait of a brilliant wordsmith and tireless revolutionary who 10 years after her death, is missed, says Cleage, ‘each and every day.’”
— “Ms.” Magazine
“The breadth of outstanding contributors to this collection is evidence of Toni Cade Bambara’s enormous influence on writers, filmmakers, scholars, and community activists. Bambara’s artistry, insight, and lived example create a directive for 21st century artists: Tap into the genius within, stay rooted in local communities, and use culture as a tool for progressive social change.”
— Louis Massiah
BUY YOUR COPY OF “SAVORING THE SALT” TODAY!!!!
About the Author(s)
Linda Janet Holmes is a writer, independent scholar, and activist. She is also co-author of Listen To Me Good: The Story of An Alabama Midwife.
Cheryl A. Wall is Professor of English at Rutgers University, and the author of Worrying the Line: Black Women Writers, Lineage, and Literary Tradition
New Orleans Film Festival Panel Links Struggles for Human Rights in New Orleans and Around The World
April 11, 2008
Naomi Klein, author of the best-selling books Shock Doctrine, No Logo and Fences and Windows, will join Aishah Shahidah Simmons, producer, award-winning, internationally acclaimed documentary NO!, Ursula Price, organizer, Safe Streets Strong Communities (New Orleans), Monique Harden - director, Advocates for Environmental Human Rights (New Orleans), Suha Dabousseh, organizer, US Campaign to End the Israeli Occupation who will all be appearing and presenting on a human rights panel during the Fifth Annual New Orleans International Human Rights Film Festival. This lively and interactive panel, which will be moderated by Aletha Strong, from the American Friends Service Committee, will link struggles for human rights in New Orleans and around the world.
Film Festival Discussion
Our Struggle Is Your Struggle:
Human Rights in New Orleans and Around the World
Sunday, April 13, Noon
Zeitgeist Multi-Disciplinary Arts Center, 1618 Oretha Castle Haley
Free
Panelists:
Naomi Klein - Author, Shock Doctrine
Ursula Price - Organizer, Safe Streets Strong Communities (New Orleans)
Monique Harden - Director, Advocates for Environmental Human Rights (New Orleans)
Suha Dabousseh - Organizer, US Campaign to End the Israeli Occupation
Aishah Shahidah Simmons - Filmmaker: NO! The Rape Documentary
Moderator: Aletha Strong - American Friends Service Committee
BIOS:
Naomi Klein is an award-winning journalist, syndicated columnist and author of the international and New York Times bestseller The Shock Doctrine: The Rise of Disaster Capitalism. Published worldwide in September 2007, The Shock Doctrine is slated to be translated into seventeen languages to date. The six-minute companion film, created by Alfonso Cuaron, director of Children of Men, was an Official Selection of the 2007 Venice and Toronto International Film Festivals and a viral phenomenon as well, downloaded over one million times. Klein’s previous book No Logo: Taking Aim at the Brand Bullies was also an international bestseller, translated into more than twenty-eight languages, with over a million copies in print. A collection of her work, Fences and Windows: Dispatches from the Front Lines of the Globalization Debate, was published in 2002. Klein’s regular column for The Nation and The Guardian is distributed internationally by The New York Times Syndicate. In 2004 her reporting from Iraq for Harper’s Magazine won the James Aronson Award for Social Justice Journalism. The same year, she released a feature documentary about Argentina’s occupied factories, The Take, co-produced with director Avi Lewis. The film was an official selection of the Venice Biennale and won the best documentary jury prize at the American Film Institute’s Film Festival in Los Angeles. Klein is a former Miliband Fellow at the London School of Economics and holds an honorary Doctor of Civil Laws from the University of King’s College, Nova Scotia.
Monique Harden has provided legal counsel and advocacy support that have helped community organizations win important environmental justice victories. In 2003, Ms. Harden, along with Nathalie Walker, co-founded Advocates for Environmental Human Rights. Ms. Harden is a graduate of The University of Texas School of Law (1995), and received a B.A. from St. John’s College (1990). Ms. Harden has authored and co-authored numerous reports and papers on environmental justice and human rights issues. Her advocacy work has been featured in television, radio and print news, as well as books, magazines, and documentaries.
Ursula Price is Outreach & Investigations Coordinator for Safe Streets/Strong Communities, a community-based organization that campaigns for a new criminal justice system in New Orleans, one that creates safe streets and strong communities for everyone, regardless of race or economic status.
Suha Dabbouseh is a Palestinian American social justice activist for the last 10 years in human rights, including six with Amnesty International USA’s Southern Region as a Field Organizer and Acting Deputy Director for two regional field offices. Suha served at the lead organizer in developing events and campaigns on human rights issues such as racial/ethnic profiling, violence against women, police brutality and “war on terror”, and is currently the National Organizer for the US Campaign to End the Israeli Occupation.
Aishah Shahidah Simmons is an award-winning African-American feminist lesbian independent documentary filmmaker, television and radio producer, published writer, international lecturer, and activist based in Philadelphia, PA. An incest and rape survivor, she spent eleven years, seven of which were full time, to produce write, and direct NO! The Rape Documentary. This groundbreaking documentary explores the international reality of rape and other forms of sexual assault through the first person testimonies, scholarship, spirituality, activism and cultural work of African-Americans.
The New Orleans International Human Rights Film Festival: Twelve days, more than fifty films, more than thirty filmmakers, performers, organizers, and other guests. For more information, see www.nolahumanrights.org.
Black Womyn:Conversations With Lesbians of African Descent Will Have New Orleans Premiere
April 11, 2008
Ground Breaking Documentary Black Womyn: Conversations has New Orleans Premiere on Sunday, April 13, 2008 at 4pm
tiona m. will be in New Orleans to present and discuss her ground-breaking, revolutionary, feature-length documentary black./womyn.: conversations…, which features the voices of over 50 lesbians of African descent throughout North America including featuring powerful voices such as Def Poet Staceyann Chin, poet/activist/scholar Cheryl Clarke, and filmmakers Aishah Shahidah Simmons and Michelle Parkerson. black./womyn.: conversations will have its New Orleans premiere at the Fifth Annual New Orleans International Human Rights Film Festival. Scored by New Orleans-based musician Monica Dillon, the screening and discussion with tiona m., Monica Dillon, and Aishah Shahidah Simmons will be held on Sunday, April 13, 2008, 4pm, Zeitgeist - 1618 Oretha Castle Haley Boulevard.
The New Orleans International Human Rights Film Festival: Twelve days, more than fifty films, more than thirty filmmakers, performers, organizers, and other guests. For more information, see www.nolahumanrights.org.
Rape is a Crisis in Black Communities by Salamishah Tillet
April 10, 2008
It’s A Crisis
April 10, 2008 — Given the staggeringly high incidence of sexual violence in black communities it is fair to ask why this problem has not risen to the level of a crisis in the public consciousness
Type Size
Perhaps one of the truest and most tragic lines in American film is spoken by the character Yellow Mary in Julie Dash’s Daughters of the Dust(1991) when she sadly declares that “the rape of the colored woman is as common as fish in the sea.” As a rape survivor, I speak on behalf of the 1 in 4 women who will experience sexual assault in her lifetime.
Moreover, since April is Sexual Assault Awareness Month, I hope to bring awareness to the fact that even though African-American women make up about 7% of the U.S. population, we currently constitute 18.8% to 28% of the reported sexual assault victims. These women are ,and have always been, our grandmothers,our daughters, our partners. And our friends.
Given the staggering statistics, I cannot help but wonder why this pandemic does not constitute a crisis within both African-American communities and the larger American body politic. African-American women have consistently spoken out against social ills such as the War in Iraq and racial injustices experienced by black men — from lynching to police brutality to racial profiling.
And yet, they have had to confront their own experiences with race and gender-related sexual violence without the support of many African-American leaders. Today, most rapes are intra-racial. The vast majority of rape victims, almost ninety-percent, report that a member of their same racial or ethnic group sexually assaulted them.
Unfortunately, because many African-American female rape victims do not want to perpetuate racial stereotypes about the black male rapist (created and used by white mobs to justify the lynching of economically and politically mobile black men) and the black male criminal (now used to maintain racial disparities in the criminal justice system), they often do not press charges against their assailants because they fear further criminalizing African-American men.
Like most rape victims, many African-American women understand that public disbelief, sexual double standards, and sexist stereotypes such as the “gold-digger” will greet their accusations of rape. But even more egregiously, African-American women know that they risk being labeled a race traitor by some who view their actions as airing “dirty laundry.”
And yet, there is a long tradition of African-American women speaking out about sexual violence, and mixing their anti-rape discourse with anti-racist activism. In 1866, a group of African-American women testified before Congress about white mobs who sexually assaulted them during the infamous Memphis race riots. Following suit, African-American activist and journalist Ida B. Wells-Barnett continually linked her anti-lynching crusade with her clarion call to end sexual violence.
Today, we can turn to African-American women novelists such as Alice Walker and Toni Morrison, entertainers such as Oprah Winfrey and Gabrielle Union, writers such as Charlotte Pierce-Baker’s Surviving the Silence(2000) and Lori Robinson’s I Will Survive (2003) to locate models of anti-rape activism.
We should look at filmmaker Aishah Shahidah Simmons’s groundbreaking film NO! The Rape Documentary which details the history of African-American women and sexual violence and watch photographer Scheherazade Tillet’s [Full disclosure: She's my sister] multimedia performance SOARS (Story of A Rape Survivor) which brilliantly uses the visual and performing arts to document the journey of recovering from and healing after rape.
In order to end the sexual violence experienced by African-American women, we need to recognize sexual abuse as one of the most important issues facing black America today. We need to encourage and include the voices of African-American women in mainstream activism against rape. And we need ensure that our demands for political and racial justice include calls for an end to sexism, sexual violence and homophobia. Until we begin supporting and believing African-American rape victims, we will always be engaged in a half-hearted fight for racial equality.
Salamishah Tillet is Assistant Professor of English at the University of Pennsylvania and co-founder of the non-profit organization, A Long Walk Home, Inc., which uses art therapy and the visual and performing arts to document and to end violence against underserved women and children.
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