Black Women, Sexual Assault, and the Art of Resistance
April 27, 2012
Aishah Shahidah Simmons and NO! The Rape Documentary featured in FORBESWOMAN article, by Brooke Axtell, on Black Women and Sexual Assault
On April 25, 2012, FORBESWOMAN published Brooke Axtell’s “Black Women, Sexual Assault, and the Art of Resistance” article. Axtell is the creator of SHE: Survivor, Healing & Empowerment, which is “a healing community for survivors of rape, abuse and sex trafficking, as well as their allies.” So, it comes as no surprise that she would write an article exploring the specific challenges facing Black women survivors of rape and sexual assault.
Citing sobering statistics compiled by Black Women’s Blueprint, The Black Women’s Health Imperative, and the US Department on Justice, Axtell delves into the various reasons why so many Black women choose not to report their rape. She references the scholarship and activism of Lori Sasai Robinson, Dr. Gail Elizabeth Wyatt, Dr. Danielle L. McGuire, and Dr. Charlotte Pierce-Baker, who have each spent numerous years researching and writing about Black women and rape. Axtell also places Aishah Shahidah Simmons and her documentary film NO! along a continuum of Black women’s creative resistance against all forms of sexual violence perpetuated against Black women and girls.
Black Women, Sexual Assault, and the Art of Resistance is another powerful intervention in raising awareness about the horrific impact of the intersections of race, gender, class, and sexuality on many Black women rape and sexual assault survivors. Axtell writes,
[...]Historically, law enforcement has been used to control African-American communities through brutality and racial profiling. It may be difficult for a Black woman to seek help if she feels it could be at the expense of African-American men or her community. The history of racial injustice (particularly the stereotype of the Black male as a sexual predator) and the need to protect her community from further attack might persuade a survivor to remain silent.
We need more research to fully understand the scope of violence against Black women and the barriers they face to receiving support services. This requires both the political will and funding to make their lives a priority. Unfortunately, due to a long history of systemic racism and classism in the United States, the violation of Black women’s bodies is often rendered invisible.
You may read the article in its entirety by clicking here.
As of April 30, 2012, ?Black Women Sexual Assault and the Art of Resistance? has been picked up by several sites including:
http://blackpoliticsontheweb.com/2012/04/25/black-women-sexual-assault-and-the-art-of-resistance/
http://tbann.com/blog/black-women-sexual-assault-and-the-art-of-resistance/
http://legalnews.findlaw.com/article/05Gt4B5cBggO6
http://www.ncrw.org/news-center/media-roundup
Aishah Shahidah Simmons asks “Who Will Revere Us? (Black LGTBQ People, Straight Women, and Girls)”
April 27, 2012
None of Us are Free until All of Us are Free
From April 23, 2012 through April 26, 2012, The Feminist Wire published Aishah Shahidah Simmons‘ four part series titled “Who Will Revere Us? (Black LGTBQ People, Straight Women, and Girls).” Through a comparison of selected cases, Simmons interrogates why Black/African-American/African descendant communities have tremendous difficulty addressing various forms of violence perpetuated against LGTBQ people, straight women, and girls. Following is the introduction to the series.
Introduction
The title of this four part article is a metaphorical nod to the legendary jazz singer, songwriter, actor, and activist Abbey Lincoln (also known as Aminata Moseka) whose essay, “Who Will Revere The Black Woman?” is featured in the ground-breaking anthology The Black Woman. Edited by Black feminist author, screenwriter, and visionary activist Toni Cade Bambara, this all-Black woman anthology focused on the issues most pertinent to Black women and our communities. Originally published in 1970 and reissued in 2005 with a forward by Dr. Eleanor W. Traylor, The Black Woman was the literary wo/manifestation of the impact of the intersection of the Civil Rights/Black Power movements and the second wave of the Women’s Rights movement on Black women’s lives. In short, Ms. Lincoln’s ageless essay is a demand for justice and protection for Black women. In her concluding paragraph she writes,
[…]Who will revere the Black woman? Who will keep our neighborhoods safe for Black innocent womanhood? Black womanhood is outraged and humiliated. Black womanhood cries for dignity and restitution and salvation. Black womanhood wants and needs protections, and keeping and holding. Who will assuage her indignation? Who will keep her precious and pure? Who will glorify and proclaim her beautiful image? To whom will she cry rape?
In her 1983 prophetic and timeless essay, “There Is No Hierarchy of Oppression,” self-defined Black feminist lesbian mother warrior poet Audre Lorde writes,
I cannot afford the luxury of fighting one form of oppression only. I cannot believe that freedom from intolerance is the right of only one particular group. And I cannot afford to choose between the front upon which I must battle these forces of discrimination, wherever they appear to destroy me. And when they appear to destroy me, it will not be long before they appear to destroy you.[1]
I am struggling to find the right time to discuss inter and intra-racial gender-based violence in the midst of the justified outrage about the rampant and virulent racialized violence perpetrated against straight Black boys and men. Even with this being Sexual Assault Awareness Month, now doesn’t feel like the best time to write about the gender-based and state-sanctioned violence perpetuated against Black straight women, girls, and LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer) people both inside of and outside of our racial/cultural communities. I fear that sharing what’s on my heart and mind, might be construed as my taking away from the “real” issue at hand in most Black communities, which seems to be solely white supremacist and/or state-sanctioned racist violence against straight Black men and boys.
Audre Lorde’s writings remind me, however, that discussions on oppression within Black communities should never be taken up within an either/or frame. The diverse herstories/histories and contemporary realities of Black straight women, girls, and LGBTQ people have consistently revealed that the issues that directly impact us often take a back seat, if they even make it into the metaphorical car on the freedom and liberation highway.
There is a collective understanding among many in multi-racial, radical progressive movements, that the white supremacist, patriarchal, heterosexist, imperial, and capitalist power structure is the root of all oppressions in the United States. While I believe that to be true, even in the company of other oppressed people, Black straight women and LGBTQ people are still under attack. Too often we are caught at the intersections of race, gender, and if we identify as LGBTQ, sexuality. In spite of our shared his/herstories of oppression, struggle, and perseverance against the odds, not enough Black people view sexism, patriarchy, misogyny, heterosexism and transphobia with the same kind of activist passion that we view racism, white supremacy, and state-sanctioned violence perpetuated against straight Black men and boys.
The reality is this: when Black straight men and boys are beaten, brutalized, and/or murdered as a result of state-sanctioned and/or white supremacist violence, it becomes (as well it should be) a national issue in the Black community and in a few, definitely not all, instances, the outrage moves beyond the Black community. Yet, when Black straight women, girls, and LGBTQ people are raped, sexually assaulted, beaten, brutalized, and/or murdered as a result of misogynist, patriarchal, state-sanctioned, and/or white supremacist violence, it is too often the victim’s individual issue.
There are so many egregious, known and unknown, cases of racial and gender-based violence perpetuated against all Black people, regardless of their gender, gender identity, and sexuality, that it is literally impossible to write about all of them. I want to highlight a selected few of the far too many, however, to ask Black/African-American/African descended people to consider our responses when any of us have been railroaded into the prison industrial complex, sexually or otherwise assaulted, or murdered. I want us, Black/African-American/African descended people, to consider our responses to issues that affect many as opposed to those issues affecting some of us based on our gender, gender identity, and/or sexuality.
***
Part 1, which was published on April 23, 2012, can be read in its entirety here. On April 24, 2012, Ebony.com aggregated part one. You can read it here.
Part 2, which was published on April 24, 2012, can be read in its entirety here. Part 3, which was published on April 25, 2012, can be read in its entirety here. Part 4, which was published on April 26, 2012, can be read in its entirety here.
An Evening w/ Filmmaker/Artist tiona.m. in conversation with Filmmaker/Activist Aishah Shahidah Simmons
April 19, 2012
Black Lesbian FilmmakerS/Artist/ActivistS in Conversation

WOMEN’S FILM SERIES PRESENTS AN EVENING WITH FILMMAKER AND ARTIST TIONA MCCLODDEN
EVENT DATE
Friday, April 20 2012 : 6:30pm – 8:00pm
LOCATION
DESCRIPTION
Friday, April 20, 2012
Doors Open 6:30PM
Program 7PM
Women’s Film Series presents An Evening with Filmmaker and Artist Tiona McClodden
Tickets are
$5 Online ONLY
$10 at the door
Join filmmaker and artist Tiona McClodden as she discusses her work as a filmmaker, director, artist and activist in the LGBT community. Tiona will show excerpts of some of her most well known works and of new works not yet seen.
Tonight’s films will be followed by a conversation with the filmmaker Tiona McClodden and director, producer Aishah Shahidah Simmons.
More About Tiona McClodden
Tiona McClodden aka tiona.m. is a Black lesbian filmmaker/artist. Her last film, black./womyn.: conversations with lesbians of African descent, provides a platform for Black lesbians to speak for themselves and to confront the hyper-sexualized image of the Black lesbian. black./womyn. was awarded the Audience Award for Best Documentary by the Philadelphia International Gay and Lesbian Film Festival (now QFest) in 2008. Tiona continues to develop and create films on progressive topics with the hope of directing a narrative feature-length project in the near future. She is currently in production with her next feature length documentary The Untitled Black Lesbian Elder Project,a short narrative film Bumming Cigarettes, and an experimental short series called Be Alarmed: The Black Americana Epic, which is an magical realism themed meditation on the Black American experience. www.tionam.com
More About Aishah Shahidah Simmons
Aishah Shahidah Simmons is an AfroLez®femcentric cultural worker based in Philadelphia, PA. An incest and rape survivor, she is the producer, writer, and director of the internationally acclaimed, award-winning feature documentary NO! The Rape Documentary, which unveils the reality of rape, other forms of sexual violence and healing in African-American communities. NO! also explores how rape is used as a weapon of homophobia. She is presently in post-production on Liberation from Within about the first 10-day Vipassana Meditation course, as taught by S.N. Goenka, held in India in December 2009, for people of African heritage worldwide. Her writings on cinematic activism, gender-based violence, and queer identity from an AfroLez®femcentric perspective, and the impact of the intersections of race, gender, and sexual orientation on the lives of Black women are featured in several anthologies and journals. Aishah facilitates workshops, teaches classes, and lectures extensively throughout North America and internationally. http://NOtheRapeDocumentary.org http://AfroLezProductions.com
More About The Films
Bumming Cigarettes Short Narrative Film Spring 2012
Bumming Cigarettes is a short film about a brief and intimate meeting between a young Black lesbian woman who is in the process of taking an HIV test and a middle aged Black Gay HIV Positive man. Coming off of the devastation of a bad breakup with a cheating girlfriend, VEE finds herself alone in her apt watching time go by, until she musters up the courage to go and take an HIV test to put her worst fears to rest. What she experiences during her trip to a local clinic is much more than she expects while sharing a cigarette with a stranger, Jimmy as she awaits her test results. This film explores tough issues that persons living with HIV/AIDS may encounter such as the loss of intimacy with loved ones while also encouraging awareness around HIV/AIDs testing and the way we treat persons living with the disease. www.bummingcigarettes.com
The Untitled Black Lesbian Project {working title} Documentary (In Progress)
The Untitled Black Lesbian Elder Project (UBLEP) is a feature-length documentary film highlighting interviews with black lesbian elders in their 60s, 70s and 80s from across the United States. The documentary is a collaboration between filmmaker Tiona McClodden and publisher Lisa C. Moore. UBLEP situates the elders’ stories within a range of historical movements, spanning the decades between the 1930s and the 1980s. Featuring 8-10 profiles of elders, UBLEP will reveal rare images of black lesbian life and history through the use of accompanying archival footage and personal ephemera. UBLEP will also bring to light a number of black lesbian underground movements, solidifying a black lesbian presence within overall American black history.http://ubleproject.tumblr.com/
Be Alarmed: The Great Black Americana Epic Experimental, 2009-2012
This experimental series is comprised of ‘scenes’ cut into trailers that are a visual meditation on themes of race, class, gender, sexuality, violence, religion, mental illness, materialism, and age as it relates to the contemporary African-American community. This series is the beginning of an exploration in film genre and marketing techniques by the artist. The trailer structure of the series is something Tiona is using in order to challenge the idea of what is shown within a film trailer format in opposition to what is actually left out to encourage the viewer to desire and participate in the creation of the final film. I am taking the idea of showing only the trailer of the larger work in order to encourage the viewer to ‘fill in the blanks’ in regards to the larger narrative of the idea behind the work. The presentation of the project will be a series of screenings and exhibitions of the film trailers and detailed film press kits all created by the artist. http://bealarmed.tumblr.com
black./womyn.:conversations with lesbians of African descent, 2008
black./womyn.:conversations… is a feature-length documentary focusing on the lives and views of lesbians of African descent from various backgrounds. The documentary is structured by interviews—“conversations”—the director had with each of the women. It features candid interviews with black lesbian women discussing coming out, sexuality and religion, love and relationships, marriage, patriarchy, visibility in media, discrimination and homophobia, activism, gender identity, Black lesbian youth and elders, balancing gender/race/sexuality, and, finally, what it means to call oneself a Black lesbian today.black./womyn.:conversations… is a piece that provokes honest, progressive dialogue and critical thinking among people in general—and Black lesbians in particular—about how Black lesbians are viewed and affected by society. black./womyn.:conversations… features interviews with close to 50 out, Black lesbians including Poet/Author Cheryl Clarke, Filmmaker/Activist Aishah Shahidah Simmons, Poet/Author Staceyann Chin, Filmmaker Michelle Parkerson, Artist Hanifah Walidah, Hip-Hop Duo KIN, and Author Fiona Zedde. www.blackwomynfilm.com
PRICE
$5 Online only
$10 at the door
REGISTER
FOR MORE INFORMATION
Yojani Hernandez, yhernandez@gaycenter.org, 212-620-7310
Father and Daughter discuss “coming out process,” and eradicating violence against women on Left of Black
April 3, 2012
Michael Simmons and Aishah Shahidah Simmons discuss her “coming out process,” and eradicating violence against women on Mark Anthony Neal’s “Left of Black” series.
http://afrolez.tumblr.com/post/20429587910/aishah-shahidah-simmons-and-michael-simmons-on-left-of-b

Michael Simmons, Aishah Shahidah Simmons, and Mark Anthony Neal on the set of Left of Black. Photograph by Linda Carranza
Award-winning filmmaker and international lecturer Aishah Shahidah Simmons shared the stage with International Human Rights Activist Michael Simmons who is her father/friend/confidante/comrade on the first segment of Season 2, Episode 26 of Left of Black, which is a phenomenal series hosted by Duke University Professor and prolific writer Mark Anthony Neal.
During their segment, Michael and Aishah talk about what it meant for a father to both both nurture and support his daughter’s coming out as a Black feminist lesbian (over 20-years ago). Equally as important they discuss about their individual and collective work to address violence against women both nationally and internationally. Their conversation includes Aishah discussing about the some of the seeds planted over 20-years ago, which WOmanifested into her award-winning, internationally acclaimed film NO! The Rape Documentary.
Their segment is followed by an interview with Meta DuEwa Jones who is an Associate Professor of English at the University of Texas at Austin. discusses the Legacy of Jazz Poetry in her new book The Muse is Music: Jazz Poetry from the Harlem Renaissance.
Michael Simmons is the co-director, with Linda Carranza, of the Raday Salon, an independent human rights oriented program in Budapest, Hungary. The Salon is rooted in both Simmons’ and Carranza’s own individual his/herstories as international human rights activists. For more information about the Salon please visit
http://raday.blogs.com
You can view the entire Left of Black episode featuring Michael Simmons, Aishah Shahidah Simmons, and Meta DuEwa Jones, with Mark Anthony Neal by clicking HERE (http://afrolez.tumblr.com/post/20429587910/aishah-shahidah-simmons-and-michael-simmons-on-left-of-b)

***
Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.
***
Episodes of Left of Black are also available for free download in HD @iTunes U
Aishah Shahidah Simmons will speak at Duke University on Tuesday, March 27, 2012
March 26, 2012
Aishah Shahidah Simmons will deliver Duke University’s Women’s Center Annual Founder’s Lecture on Tuesday, March 27, 2012 at 4:30pm

NO! The Rape Documentary at the 2011 American Academy of Religion’s Annual Meeting
November 9, 2011
“’NO!’ Breaking Silences Around Black Women and Rape”
A Film Screening and Panel Discussion
Co-Sponsored by the Womanist Approaches to Religion and Society Group, and the Black Theology Group at the
American Academy of Religion’s 2011 Annual Meeting
November 19, 2011
Marriott Marquis (Session A19-407)
San Francisco, CA
8:00pm

Description
An intergenerational panel following the screening of NO! The Rape Documentary, the internationally acclaimed, award-winning feature length documentary, which unveils the reality of rape, other forms of sexual violence, and healing in African-American communities. NO! also explores how rape is used as a weapon of homophobia. The featured panelists will discuss how religion, race, and politics can both negatively and positively influence attitudes and solutions to end rape and other forms of sexual violence. They will engage in a conversation that will explore some of the issues highlighted in the documentary, which include; Black feminist/womanist Christian and Islamic perspectives that address the wrongfulness of the rape of women; Black men as pro-feminist/womanist allies in rape prevention; Rape as a community issue that reinforces interlocking systems of oppression, such as racism, sexism, classism, and heterosexism; and Activism and spirituality as healing modalities. Gender-based violence is an international atrocity that knows no boundary. This panel will address these global acts of violence through the first-person testimonies, scholarship, activism, and cultural work of African-Americans. As Alice Walker, the Pulitzer Prize winning author of The Color Purple says, “If the Black community in the Americas and in the world would save itself it must complete the work ‘NO!’ begins.”
Moderator:
Rev. Carla Jean-McNeil Jackson, Esq. is an administrative law attorney, who also provides pro bono legal services in housing law. She is also an ordained minister and an accomplished vocalist, including a tour of Italy in the musical “Sister Act 2.” Her sermon, “Managing Life’s Challenges,” is published in Those Preaching Women: A Multicultural Collection, edited by the late Ella P. Mitchell and Valerie Bridgeman, with a foreword by Katie G. Cannon.
Panelists:
Aishah Shahidah Simmons, is the producer, writer, and director of NO! The Rape Documentary. Since its official release in 2006, this award-winning, internationally acclaimed documentary been used as an educational organizing tool across North America, and in numerous countries throughout the world. Ms. Simmons is a Black feminist lesbian incest and rape survivor whose writings on cinematic activism, gender-based violence, queer identity from an AfroLez®femcentric perspective, and the impact of the intersections of race, gender, and sexual orientation on the lives of Black women are featured in several anthologies and journals. She facilitates workshops, teaches classes, and lectures extensively throughout North America and internationally.
Rev. Traci C. West, Ph.D., is Professor of Ethics and African American Studies at Drew University Theological School in New Jersey. A featured interviewee in NO!, she is the author of Disruptive Christian Ethics: When Racism and Women’s Lives Matter (Westminister John Knox Press, 2007), Wounds of the Spirit: Black Women, Violence, and Resistance Ethics (New York University Press, 1999), and editor of Our Family Values: Religion and Same-sex Marriage (Praeger, 2007). She is currently working on a project interviewing activists in Ghana, Brazil, and South Africa on their strategies to address gender violence against women and girls.
Gwendolyn Zoharah Simmons, Ph.D., is Senior Lecturer in African American and Religious Studies at the University of Florida. A featured interviewee in NO!, her research, teaching, and anthologized writings focus on Women and Islam; and the role of religion in the African American Struggle for Justice. She is presently under contract with The New Press, for a volume in their new religion series titled, ISLAM does not equal FUNDAMENTALISM. Additionally, for over 45 years, she has worked globally in the areas of civil rights, women’s rights, human rights, and peace work. This work includes her 23-year tenure on the staff of the American Friends Service Committee (AFSC), a Quaker peace, justice, human rights, and international development organization.
Obery M. Hendricks, Jr., Ph.D., is one of today’s most provocative commentators on the intersection of religion, politics, and economic and social policy in America. He has been featured on MSNBC, Fox News, NPR, BBC, C-SPAN, PBS, and the Bloomberg Network. A former Wall Street investment executive and former seminary president, he is currently Professor of Biblical Interpretation at New York Theological Seminary and Visiting Scholar in Religion and African American studies at Columbia University. His newest book is The Universe Bends Toward Justice: Radical Reflections on the Bible, the Church and the Body Politic (Orbis, 2011).
Hip Hop: Beyond Beats and Rhymes Screening and Panel Discussion
October 24, 2011
Hip Hop: Beyond Beats and Rhymes:
A Film Screening and Panel Discussion
Thursday, October 27, 2011
6:00pm (Film screening)
7:30pm (Panel discussion)
Location: Miller Theater, Columbia University
116th & Broadway
New York, NY
As part of Columbia University’s Sexual Violence Response’s Relationship Violence Awareness Month program, please join moderator
Akiba Solomon (Writer and Freelance Journalist)
and panelists
Byron Hurt (Producer/Director Hip Hop: Beyond Beats and Rhymes),
Aishah Shahidah Simmons (Producer/Director NO! The Rape Documentary), and
Ted Bunch (Co-Founder, A Call To Men)
for a lively panel discussion following the screening of this award-wining, riveting film that explores sexism and other pressing issues in hip-hop culture.
For More Information: please contact Sexual Violence Response by sending an email to lr2520@columbia.edu or by calling 212.854.3500
DSK AND JUSTICE: THE POLITICS OF GETTING OFF IN A RAPE CULTURE
October 10, 2011
DSK (Dominique Strauss Kahn) AND JUSTICE: THE POLITICS OF GETTING OFF IN A RAPE CULTURE
CONNECT~ Safe Families, Peaceful Communities and Columbia Law School’s Center for Intersectionality and Social Policy Studies and their Center for Gender and Sexuality Law are hosting an Open Forum on Thursday, Oct. 13, 2011 at 6:30pm in the Jerome L. Green Hall, Rm 105.
Confirmed Panelists:
Kimberlé Williams Crenshaw is a professor of law at UCLA and Columbia. She has written in the areas of civil rights, black feminist legal theory, and race, racism and the law. Her work has appeared in the Harvard Law Review, the National Black Law Journal, the Stanford Law Review, and the Southern California Law Review. A founding coordinator of the Critical Race Theory workshop; coeditor of Critical Race Theory: Key Documents That Shaped the Movement. Professor Crenshaw lectured nationally and internationally on race matters, addressing audiences throughout Europe, Africa, and South America. Her work on race and gender was influential in the drafting of the equality clause in the South African Constitution. In 2001, she authored the background paper on Race and Gender Discrimination for the United Nations’ World Conference on Racism and helped facilitate the inclusion of gender in the WCAR Conference Declaration. In the domestic arena, she has served as a member of the National Science Foundation’s committee to research violence against women and has assisted the legal team representing Anita Hill.
Elizabeth (Beth) Ribet is the Research Director at the Center on Intersectionality and Social Policy in the School of Law at Columbia. She is simultaneously appointed as an adjunct professor and is team-teaching “Intersectionalities” with Kimberle Crenshaw, in the 2011-2012 academic year. She holds a PhD in Social Relations from the University of California-Irvine, and a JD from UCLA with a concentration in Critical Race Studies. Her doctoral dissertation was grounded in interviews with Jewish daughters of Holocaust survivors in the U.S. Her additional areas of teaching interest in Law include disability law, international law, prison law and policy, torts, labor law, and various areas of critical theory. Professor Ribet writes primarily about the production of new or “emergent” disabilities and illnesses, produced by intersecting dynamics of racial, gender, economic, sexual, ethno-religious, age, and citizenship based stratification and subordination.
Aishah Shahidah Simmons is the producer, writer, and director of the internationally acclaimed, award-winning film NO! The Rape Documentary, which unveils the reality of rape, other forms of sexual violence, and healing in African-American communities. Subtitled in Spanish, French, and Portuguese, NO! also examines how rape is used as a weapon of homophobia. Since its official release in 2006, NO! has been used and is currently being used as an educational organizing tool throughout North America, and in numerous countries in Europe, Africa, Asia, the Pacific Islands, South America, and the Caribbean. Ms. Simmons essays, some of which have been translated into French, Spanish, and Italian, are featured in several anthologies and journals. She facilitates workshops and lectures extensively on the issues of gender-based violence, and the impact of the intersections race, gender, and sexual orientation on the lives of Black women at colleges/universities, high schools, rape crisis centers, battered women’s shelters, prisons, public libraries, non-governmental organizations, religious institutions, government agencies, and film festivals in North America and internationally.
Rev. Traci C. West is Professor of Ethics and African American Studies at Drew University Theological School. She received her PhD from Union Theological Seminary. She is the author of Disruptive Christian Ethics: When Racism and Women’s Lives Matter (Westminster John Knox Press, 2006), Wounds of the Spirit: Black Women, Violence, and Resistance Ethics (New York University Press, 1999), and the editor of Our Family Values: Same-sex Marriage and Religion (Praeger, 2006). She has also written several articles on violence against women, racism, clergy ethics, sexuality and other justice issues in church and society. She is an ordained elder in the New York Annual Conference of the United Methodist church who previously served in campus and parish ministry in the Hartford Connecticut area. She is a member of United Methodists of Color for a Fully Inclusive Church. Professor West is also a featured interviewee in NO! The Rape Documentary and Breaking Silences: A Supplemental Video to NO! both were produced and directed by Aishah Shahidah Simmons.

To RSVP for this free event contact Divine-Asia Planes at
dplanes “at” connectnyc “dot” org or (212) 683-0015 ext.215
No One Is Free While Others Are Oppressed ~ SlutWalk Philadelphia Speech
August 12, 2011
“What’s the Right Message?” asks Aishah Shahidah Simmons in her SlutWalk Philadelphia Speech”
“Those of us who stand outside the circle of this society’s definition of acceptable women; those of us who have been forged in the crucibles of difference – those of us who are poor, who are lesbians, who are Black, who are older – know that survival is not an academic skill. It is learning how to stand alone, unpopular and sometimes reviled, and how to make common cause with those others identified as outside the structures in order to define and seek a world in which we can all flourish. It is learning how to take our differences and make them strengths.”
— Audre Lorde, Sister Outsider —
Black. Lesbian. Feminist. Mother. Warrior. Poet. Audre Lorde’s written words taught me that my silence will not protect me, and that silence is not golden. I am a Black feminist lesbian who is a survivor of incest and rape. When I was ten, my paternal (step)grandfather molested me over a period of two years; and when I was 12 the eldest son of a family friend fondled me. My rape happened when I was a soon to be 20 year old sophomore in college. I was on a study abroad program and broke all of the university-enforced rules to go out, very late at night, with the man who would become my rapist. In spite of my having second thoughts about going out with this new acquaintance, I was both afraid to articulate them and to turn around because my friends were covering for me. In the hotel room, for which I paid, I told my rapist “I don’t want to do this. Please stop.” I didn’t “violently” fight back. I didn’t scream or yell to the top of my lungs” because I was afraid. I didn’t want to make a “scene.” I blamed myself for saying, “Yes”…for breaking the rules…for paying for the hotel room.
The morning following my rape, I went back to where the school housed us and lied to my friends. I didn’t tell them that I was forced to have sex against my will. In an effort to both deny what happened on the night of my rape and to be in control of my body, I had consensual sex with another man that evening. When it was time to return home to the United States, I was pregnant and didn’t know which of the two men was the biological father. I was fortunate to have a safe and legal abortion at the Elizabeth Blackwell Health Center for Women in Philadelphia, PA.
And, before I continue, I want to be explicitly and unequivocally clear that I am NOT a lesbian because I was molested and raped. I am a lesbian because I’m attracted to and love women. So, please do not walk away making the homophobic and heterosexist comment “Oh, that’s why Aishah is a lesbian. It’s because she was molested and raped.”
WRONG.
If molestation and rape made women and girls lesbians, then most of the girls and women in the world would be lesbians. Just check the global statistics on molestation and rape.
I share what some of you might view as personal, private—and perhaps—seemingly unnecessary because the personal is directly related not only to the political but also the professional in my life.
Now, I admit when Executive Organizer Hannah Altman invited me to be a speaker at SlutWalk Philadelphia, I was very, very apprehensive. However, after quite a bit of thought and deliberation; and in spite of my many conflicting feelings as a Black feminist lesbian whose contemporary reality and ancestral lineage has been rooted in the legalized name calling/marginalizing/denigration of mind/body/spirit for centuries without too much recourse, I accepted the invitation to be a speaker.
I am here today because I want to see an end to the victim-blaming in my lifetime, and I’m 42-years old. No, victim-blaming is not going to stop because we are all here participating in SlutWalk Philadelphia. If only it were that easy. However, I believe it is important that the faces, voices, and perspectives of women of color (inclusive of all sexualities) and trans people of color are seen and heard. Documented herstory and contemporary reality has shown us that more often than not, it is our bodies that catch the most hell not only by the State but also by people in and out of our communities (however we define them). It is our bodies that have a demonstrated track record of being on the frontlines of the movements to end all forms of oppression.
I believe words are very, very powerful. At the same time, I really struggle with many who are hostile to the “SlutWalks” because they say it gives the wrong message. What is the right message? I think about Take Back the Night, which was founded in the early ’70s, when I was a toddler. As strange as it may seem today, especially now that Take Back the Night has become an “acceptable” movement throughout this country and globally, I know there was resistance. I’m sure some, if not many people took the position, ‘What do you mean take back the night? You shouldn’t be out at night!’
Personally, I do not embrace the word Slut at all… And, at the same time, I will not say or subscribe to the patriarchal and misogynistic thinking that “we can’t do this or that type of behavior; or wear this or that type of clothing and not expect to get harassed, fondled, and/or raped.
There are some places in the world that would say that presently, I’m not properly covered in what I view as very modest attire (by most US standards). There are many in the United States; and throughout the world who believe I should be raped, assaulted, and/or harassed for the mere fact that I’m an unapologetically OUT Feminist Lesbian.
Where do we draw the lines of who can and can’t be rape, assaulted, harassed, and/or called vicious and vitriolic names? Why are we okay with RAPE being the penalty for ANY type of behavior (including heterosexual women having multiple sexual partners) or for wearing ANY type of attire of clothing (including thongs and bustier? ). This line of thinking is inhumane, egregious, wretched, and should be unacceptable.
Sexual violence is one of the only crimes where the victim behavior’s determines if a crime happened or not. I could be in a drug-infested neighborhood with a lot of money on my person and even bragging about my money and showing it off. If someone steals my money, they are a thief, plain and simple. Yes, one could say “Aishah, what were you doing with all that money in that neighborhood. Are you crazy?” And yet, at the same time, it would be clear that I was robbed. If I left my macbook pro in Starbucks and someone stole it, we may think I was dumb for leaving it there, but that doesn’t take away the fact that someone stole my macbook pro.
How can we have more empathy for the loss of money or even the loss of a computer than the (hopefully, temporary) loss of one’s body for a few seconds, moments, hours, or even days? Why do we tend to be clear about the impact of the loss of material possessions in ways that we don’t want to be clear about the impact of the loss of the right to ones own body. For too many, rape has become a word, almost devoid of the horrifying experience from which too many of us never ever fully recover.
There is something very disturbing and painful that there is this widespread (as in global) notion that material possessions are worth more than a woman’s body… There is something wrong that too many of us believe that a woman doesn’t have the right to show or flaunt her body, if she desires… That a woman doesn’t have a right to agree to one form of sexual activity and not agree to another form of sexual activity. That she doesn’t have the right to say “yes,” and then have the courage or even the audacity to change her mind and say “no.” Whose body is it anyway? Contrary to global belief, it’s not the perpetrators body. And yet, too many of us defend the perpetrators RIGHT to violate the body of another.
When will we stop treating boys and men as if they are wild beastly animals or innocent toddlers (not sure which one) who can’t control their words and/or actions? When will we put the blame on the perpetrators? When will we stop saying “Well, women have to take some responsibility?” Take responsibility for what, men and boys being unable to control themselves resulting in them violating a woman or girl’s body because of what she said, wore, and/or did?
Really.?!
Again, I ask where do we draw the lines of who can and can’t be assaulted, harassed, and/or raped? As long as there is any group of people including but not limited to adolescent and teenage “fast” girls, women, trans people, queer people, and sex workers who are marginalized, then all of us are vulnerable both because it’s all subjective; and the lines of the margins shift all of the time. Who’s acceptable today may not be acceptable tomorrow.
We must stop subscribing to this notion that rape is the justifiable penalty for ANY type of behavior or attire of clothing that we may not like or even disapprove of.
We must centralize the margins of the margins of the margins of society so that ALL of us are free from assault, harassment, rape, and other forms of sexual violence. No One Is Free While Others Are Oppressed. NO ONE IS FREE WHILE OTHERS ARE OPPRESSED.
Aishah Shahidah Simmons is the producer/writer/director of NO! The Rape Documentary., the internationally acclaimed, award-winning feature length film, which examines the international atrocity of rape and other forms of sexual violence through the first person testimonies, scholarship, activism, and cultural work of African-Americans. You can follow her on twitter, connect with her on Facebook, and/or read her AfroLez®femcentric blog.
Philadelphia Weekly Covers SlutWalk Philadelphia
August 12, 2011
Philadelphia Weekly Excerpts Part of Aishah Shahidah Simmons SlutWalk Philadelphia Speech
“When poet and speaker Aishah Shahidah Simmons addresses the crowd, she comes on like a lion. “History has shown it is our bodies that catch the most hell,” she says.” Though she does not identify as a poet, Simmons most definitely spoke with passionate fire about ending all forms of sexual violence.
The Philadelphia Weekly was one of few media outlets (WHYY, The Philadelphia Inquirer, and The Philadelphia Gay News being the others) who gave SlutWalk Philadelphia appropriate coverage.
Click here to view Philadelphia Weekly’s “Philly’s SlutWalk Photo Gallery”.




















